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Mar 14

A gorgeous video test, shot with the Canon HV20


As described by creator Kadir Köymen:

“We used a HV20 plus 3 Fd lenses (described in the video)

The color is not touched. No color correction is applied. In fact the colors turned pale after the export.

In my opinion the best result is achieved by using the camcorders TV mode (50 shutter). The cine mode caused some problems (shutter problems).”

Adding a lens adapter to a Canon HV20 is sheer bliss. Read my earlier posts about setting the shutter speed and frame rate correctly and you will be shooting beautiful images that rival high-end film cameras.

share save 256 24 A gorgeous video test, shot with the Canon HV20
Jan 26

Tips on Capturing HV20 Footage to your Vista PC


In windows Vista, the best way to still get the best footage out of your Canon HV20/30 is the method explained at Eugenia’s Rant.  Also, I noticed that in Vista at least Premiere Pro CS3 will not properly capture footage from the HV20.  Unless yon are using Vegas as outlined below, use HDVsplit.  Eugenia explains:

HDVSplit is a popular HDV capture freeware utility. While it generally works OK, unfortunately it occasionally crashes Vegas, because HDVSplit’s captured .m2t scenes erroneously have some black frames at the end of each scene. So, if you will use HDVSplit with anything but Vegas, that’s OK. Otherwise, use Vegas’ own HDV capture facility (which is one big continuous .m2t file for Vegas version 7 or earlier, and with scene detection support, in smaller .m2t files in version 8). Obviously, version 8 is recommended over other Vegas versions for that reason alone. The Pro versions of Vegas 7/8 support scene detection too after you install its official updates from Sony’s site.

Please read her site for excellent articles on the subject of capturing from the HV20/30 into Vegas and other software.  Sadly, she will no longer be updating her blog.

I can usually capture quite easily in Vegas although I still think their capture utility leaves much to be desired.  I WISH I could capture with Premiere since I like its logging in/out feature for capture – which is the way any decent capture program should work) but no dice with the HV20.  At one point I did find a patch for Premiere that was essentially an import template specifically for the Canon HV20/30.  A Google search may turn up the most recent location for this small downloadable and very useful file.

This seems to have been corrected and improved in Adobe Premiere CS4 but the verdict is still out.



share save 256 24 Tips on Capturing HV20 Footage to your Vista PC
Apr 23

Why you love the Canon Hv20 and first NAB 2008 report


I just returned from NAB 2008 (the National Association of Broadcasters convention in Las Vegas – exhaustive coverage to follow) and yanked my Vegas strip footage out from the HDMI port on my HV20 directly to the HDMI port on my Sony Bravia, and God it looks glorious. All uber-techie discussions aside, the fact of the matter is, there is no camera in this price range (especially now that the HV30 has taken over the original price point, so this cam is down in the 5 – $600 range) that can dare compete.

This blog is here to show you how to get your footage to work in the most competitive way in the HD/film-replacement marketplace, and it can be laborious to create deliverables that are required by the film fests etc., but that is a challenge for anyone who wishes to compete – I just wanted to reiterate that this camera looks absolutely beautiful. The colors are full, the 24p looks completely pro, and it just makes whatever you shoot miles beyond SD.

I won’t leave you without at least some taste of what I saw at NAB 2008:

  • cinelite 150x150 Why you love the Canon Hv20 and first NAB 2008 reportLeader showed Cinelite, an amazing new vectorscope/histogram on its proprietary monitors that superimposes its luma and color information directly on top of the image in real time. No more analyzing blobs and shapes – now you can see directly from the images you are shooting where things are clipping and what your colors are doing.
  • Ikan’s new V8000 HD is crisp a new HD hotshoe camera-mountable monitor coming out in Fall 2008. MSRP is $799. Looks sharp as can be and totally rivals similar models from Marshall and other competitors for a significantly lower cost.
  • Iconix, makers of the world’s smallest HD cameras showed an HD 2k stereoscopic camera system alongside Digital Ordnance who were demoing their on-set 3D playback system. The entire package can be had for about 300k. 300k gets you into full HD/film-scan level 3D cinematography!
  • Mogulus is a new company offering linear broadband television broadcasting online. If you are a broadcaster who doesn’t want to have to deal with the massive overhead of traditional broadcast/carrier models, this company is worth a look. Especially since they have a free model alongside their ad-free pro-model. Ever wanted to run your own TV station? Here is a very real solution.
  • Look into LairdShareHD for an extremely well designed storage/network system for HD. Up to ten editors can work on your HD content at once. At their low price point this is one major contendor for the emerging storage solutions issues arising from the massive data collected by the new gen cameras. Here is the blurb from their site which will explain the system better than I can paraphrase:

“The Fastest Plug & Play Server on the Planet Screaming 8+ Simultaneous & Unique Instances of Professional Hi-Definition (DVCPRO100) or 24 streams of DV25 over your existing Gigabit Ethernet network! No expensive and complicated Fiber Channel networks or special software needed! Utilizes the Latest Green Technology with only 300 watts of Power Consumption at Idle. Built-in redundancy using the latest RAID-6 technology to safeguard storage systems from data loss due to hard disk drive failure. Multi-Year Service Programs available.”

  • And just for fun, if you have ever wanted to get into the world of digital animation, perhaps my favorite find at this year’s show was the latest version of Animation Master.  Although it is marketed as a simplified tool for creating your own spline-based 2 and 3D animation, it is a robust and extremely rich software environment with some very unique features that can get you up and going in no time. I will cover Animation Master in greater depth in another article, but it comes with my highest recommendation. The only thing that boggles my mind is that the software is now 21 years old and I have only recently heard about it. Visit their site to see how great the output can be.


share save 256 24 Why you love the Canon Hv20 and first NAB 2008 report

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