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Jun 6

Webisodic Shot Exclusively With Canon HV20 – Full HD version

Posted on Saturday, June 6, 2009 in HDV, canon hv20 camcorder, shutter speed

http://www.vimeo.com/5036432
This video was shot entirely on a Canon HV20 using Cinemode / at 24P and whenever possible with the exposure locked at 1/48 shutter speed. It was color timed using Vegas’ Color Corrector (secondary) and Magic Bullet.

The settings to render for HD were optimized for Vimeo following the guidelines carefully outlined by Eugenia.

“Rock Soup is a webisodic about making a studio record without a budget. Filled with tips and techniques, this quirky series surrounds the making of Keram’s two albums “Box” and “Come To Life”. For more information visit keramsongs.com

The standard version is available on YouTube at: youtube.com/watch?v=jdB4ryOlDn8

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Apr 29

Canon HV20 vs HV30 vs HV40 – What’s the Difference?

Posted on Wednesday, April 29, 2009 in Canon, HDV, HV20, canon hv20 camcorder, high definition camcorder

Canon has announced the release of the Vixia HV40 – the next iteration of the Canon HV20 HDV camcorder that we have so come to love here at thehv20experiments.com.

With the HV30, not much changed except for a new black paint job, the ability to shoot 30P and a slightly bigger LCD screen.

Canon Vixia HV40 HDV Camcorder

Canon Vixia HV40 HDV Camcorder

With the HV40 – same thing except that Canon has since done some optimization of it DIGIC II processor for HD, and more importantly, added the ability to shoot 24P (something we will also see the company adding to its new HD Video-shooting DSLRs like the 5D MK II in response to overwhelming user demand).

The main thing to consider is that with any of the tweaks and tips and tricks you have already learned by visiting this site, you can accomplish anything that can be accomplished with the HV40 with ease.

Click here to see a side-by-side comparison of the three models and their respective feature sets.

Interestingly, the Canon HV20 is the only one of the three that offers SD/MiniDV recording at all.  Why you would think this is a bonus is up for debate, but you never know – sometimes lower quality formats become desirable for retro effects or otherwise and presently the HV20 is the only one to offer this flexibility.

The HV40, being a new product will set you back a thousand bucks.  The HV30 is now going for around seven hundred give or take.  But not much has changed since the HV20 which was used to shoot parts of the sequel to Crank starring Jason Statham and in theaters nationwide, and can be found for as little as US$399.

Looking at the basic math, the Canon HV20 is still the way to go.

You may also consider looking at Canon’s other offerings, however, if you prefer to not use HDV tapes (which are basically good quality MiniDV tapes) and go solid state.  That is something I will cover in a future article.


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Mar 13

Listen to a 45 minute podcast about shooting HD on no budget and going viral

Posted on Friday, March 13, 2009 in Filmmakers, Indie, Lighting, shutter speed, upscaling

Head over to the KeramCast.com and check out a 45 minute discussion on how to shoot high-quality video, distribute, market, monetize and succeed at making professional, broadcast quality home movies. He also discusses viral videos, how to run your own internet based 24 hour TV station, hit Webisodic “The Guild,” aspect ratios, the best HD cameras for under a thousand bucks and much more.

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